1. 124treg@gmail.com : 124treg :
  2. 3263294780@qq.com : 3263294780 :
  3. 9371close@awgarstone.com : 9371close :
  4. a1firmdesign@gmail.com : a1firmdesign :
  5. aarambula@arcdesign.us : aarambula :
  6. kirk@kirkdavislaw.com : aaXqazNorXTIAEFabfkJvb :
  7. addasurela8@gmail.com : abirseikh :
  8. adelshariff445@gmail.com : adelshariff445 :
  9. bipprork@gmail.com : admin : Biplob Prodhan
  10. aedickson3@yahoo.com : aedickson3 :
  11. ck@bnc.gr : afespxtdlFfbJEIV :
  12. ajohnnybehavior@gmail.com : ajohnnybehavior :
  13. alexis.rodriguez75@icloud.com : alexis.rodriguez75 :
  14. allieberryy1234@gmail.com : allieberryy1234 :
  15. alpha0210@gmail.com : alpha0210 :
  16. alschrenger@icloud.com : alschrenger :
  17. amazo777@sbcglobal.net : amazo777 :
  18. aminemberkane@gmail.com : aminemberkane :
  19. amy.cerny@aah.org : amy.cerny :
  20. ahsanhabibm861@gmail.com : Anik.Hasan :
  21. apalka1@gmail.com : apalka1 :
  22. arandac5@sbcglobal.net : arandac5 :
  23. armetta.b@hotmail.fr : armetta.b :
  24. ashleysodipo@gmail.com : ashleysodipo :
  25. avecchiotti@yahoo.com : avecchiotti :
  26. awaters2@charter.net : awaters2 :
  27. barry.groves@sbcglobal.net : barry.groves :
  28. batoolalsuwaiket@hotmail.com : batoolalsuwaiket :
  29. baysidetire@gmail.com : baysidetire :
  30. baysidetirebilling@gmail.com : baysidetirebilling :
  31. beth.savage@spanishstudies.org : beth.savage :
  32. betiferico@gmail.com : betiferico :
  33. bgray3309@icloud.com : bgray3309 :
  34. yenboravisluettah@gmail.com : bimak73555 :
  35. bkdanish7@gmail.com : bkdanish7 :
  36. blakecampos14@hotmail.com : blakecampos14 :
  37. alejandra@vvc.org : BLBJFBUhOKrEWmMwHHVJiJALK :
  38. blueridgediesel@bellsouth.net : blueridgediesel :
  39. bmclamb@deployedresources.com : bmclamb :
  40. bonillasmakenna@gmail.com : bonillasmakenna :
  41. bradleymm@charter.net : bradleymm :
  42. brian.wolfe@airbnb.com : brian.wolfe :
  43. brico.mechanicalservices@gmail.com : brico.mechanicalservices :
  44. brooksharrison@roadrunner.com : brooksharrison :
  45. brunoremley92@right.thrah.com : bruno986437 :
  46. burritoman122@gmail.com : burritoman122 :
  47. fQFKUa.hwjqtdq@borasca.xyz : bUVowqPmEFtvzwuXndSeesE :
  48. caitlinstonge58@issue.jsafes.com : caitlinstonge :
  49. capele@shaw.ca : capele :
  50. carlcarol960@outlook.com : carlcarol960 :
  51. carol.attenberger@gmail.com : carol.attenberger :
  52. kooyman_girl13@hotmail.com : CbNIicjxesVAabeo :
  53. cbunch@vss-security-services.com : cbunch :
  54. ccalesi@comcast.net : ccalesi :
  55. carinameredith@maskica.com : ceceliafreese :
  56. ceceliapirastru@yahoo.com : ceceliapirastru :
  57. celestem1@suddenlink.net : celestem1 :
  58. fionakaci13@gmail.com : CESJpABjoqjeXVsuA :
  59. chefwang@msn.com : chefwang :
  60. chiefofstuff@sltnyc.com : chiefofstuff :
  61. churro1023@hotmail.com : churro1023 :
  62. threeskullsfurniture@outlook.com : CjSepyKFLjwquUudBjJfRAjaeCjD :
  63. eOEtXC.cpcdmcm@flexduck.click : CLCnCXeXBfEfHtywJHj :
  64. clemmiehinds64@son.wpstep.com : clemmiehinds :
  65. chowell@thefalcongroup.us : clhvDKbhrYdEBlDLJIwxDQfzbuP :
  66. michael.tambaoan@verizonwireless.com : ClWVPsboUXjSDkcpeNXvjaxrDJNsy :
  67. dmgraymusic@gmail.com : cMhVbzeLANVqNxuzEaajmHj :
  68. jillybean1025@hotmail.com : cmpEOjHMmhiOdyjsiWrbIEIAJQ :
  69. coachrmit@yahoo.com : coachrmit :
  70. commonman3864@gmail.com : commonman3864 :
  71. con072331@aol.com : con072331 :
  72. connect@gifthealth.com : connect :
  73. craigmeg@westnet.com.au : craigmeg :
  74. 8159@pcexpertservices.com : cRohkTwzFLupscTNuXSnjaMzb :
  75. cruzadline@gmail.com : cruzadline :
  76. cshar072@uottawa.ca : cshar072 :
  77. ctouchton3799@gmail.com : ctouchton3799 :
  78. timsplasha@googlemail.com : CUNjAnYvNFfpTresyJYKKTdsuJwj :
  79. currin.clare@gmail.com : currin.clare :
  80. erin.vanderzanden@gmail.com : CuztUbCiQxRYhJljQOnLhx :
  81. d10moore@outlook.com : d10moore :
  82. daihyunmoon@hotmail.com : daihyunmoon :
  83. dan@cmmoc.co.uk : dan :
  84. daniel.mageras@myifpadvisor.com : daniel.mageras :
  85. david.adams@pctel.com : david.adams :
  86. cp2946@gmail.com : daYOsivCxQCtukhWoaJYx :
  87. dcavaretta@tapelectric.net : dcavaretta :
  88. debbie.sellers63@gmail.com : debbie.sellers63 :
  89. deborahio@cox.net : deborahio :
  90. debslovesgod@aol.com : debslovesgod :
  91. delta70@aol.com : delta70 :
  92. piyush.kapoor@rdudaipur.com : DesbxftHJqxFCJIHmorsJJ :
  93. design@micronix.ca : design :
  94. dfrear@dbaco.com : dfrear :
  95. dhaval.p@101distributorsga.com : dhaval.p :
  96. LAFVuo.pjdwpmh@zetetic.sbs : DJdBURjMuJXePQWuisOWS :
  97. mmcculley@tapestry.com : DPaeSWpoSlDAkjlmfDJ :
  98. dphillips@prismlogistics.com : dphillips :
  99. dppjdwmht.qq@monochord.xyz : dppjdwmht.qq :
  100. drgayele@yahoo.com : drgayele :
  101. drnise.guthu@gmail.com : drnise.guthu :
  102. lawandaregister@yahoo.com : dRujiJaAjBQIbVFlNRVV :
  103. zach.fabry@bulkfluidsystems.com : dshMhoeTMNnOiMT :
  104. dunbarllc@alexanderdunbarllc.com : dunbarllc :
  105. ednoub17@gmail.com : Biplob Prodhan : Biplob Prodhan
  106. efremscann@live.com : efremscann :
  107. elinorcarandini81@pilot.powds.com : elinorcarandini :
  108. enickhettirosar@gmail.com : enickhettirosar :
  109. epjrb@verizon.net : epjrb :
  110. erin.wiencek@gmail.com : erin.wiencek :
  111. erjose_10@hotmail.com : erjose_10 :
  112. erwincaldwell76@gmail.com : erwincaldwell76 :
  113. estelabg@aol.com : estelabg :
  114. estella9873@awgarstone.com : estella9873 :
  115. ethington@gmail.com : ethington :
  116. wilsons@nyptrust.com : EWOMWOwJaTzrvMxCBzqvx :
  117. ezepernick@yahoo.com : ezepernick :
  118. farislandman@gmail.com : farislandman :
  119. jordon@colemanroof.com : fEeucHTMqPvDaXVreuxUvfEu :
  120. gabriellecpb@hotmail.com : fEiOnpDkLeRJYfUrsjWipXsqp :
  121. ferascha@gmail.com : ferascha :
  122. PAuSFJ.thqbhqw@scranch.shop : FRLzaHaQJeFwtIuqFFe :
  123. marc@pompes.ca : fYEfMQVOuYKjyMJ :
  124. galnares2@gmail.com : galnares2 :
  125. garryowen7th@yahoo.com : garryowen7th :
  126. gary@unishowinc.com : gary :
  127. gbrantley@deployedresources.com : gbrantley :
  128. gerardo.rodriguez167@gmail.com : gerardo.rodriguez167 :
  129. gianinodcw3@gmail.com : gianinodcw3 :
  130. ginacrawford985@yahoo.com : ginacrawford985 :
  131. grace.jackson01@yahoo.com : grace.jackson01 :
  132. grant.a.nasset@water.oregon.gov : grant.a.nasset :
  133. gruggles90@gmail.com : gruggles90 :
  134. haithamafifi35@hotmail.com : haithamafifi35 :
  135. heids1616@gmail.com : heids1616 :
  136. hostmeyersandy@hotmail.com : hostmeyersandy :
  137. howelljrs@gmail.com : howelljrs :
  138. tim.kaesbach@gmail.com : hvIeymTjdiJplooy :
  139. craig@glaziersteel.com : ILJzousKQBjafIswcwXqtkRJtsn :
  140. imransagor338@gmail.com : Imran Hossain Khan : Imran Hossain Khan
  141. ines-easley8@ax102-1.sarahconner.co.uk : ineseasley :
  142. angelinaarlopez@outlook.com : IsFoWhOhiaTEkdMhFOTsvaYmmLFO :
  143. pdilley@stonestreetquarries.com : ixDbIzTVRhjUnffJvhhuexyctnLA :
  144. jacobsejecc45@gmail.com : jacobsejecc45 :
  145. friendibookshop123@gmai.com : Jacques Derrida's : Jacques Derrida's
  146. latashamaryann@joeymx.com : jacquesarispe :
  147. jadahigh@mailtub.com : jadahigh :
  148. jakirkha047@gmail.com : Jakir Hossain : Jakir Hossain
  149. jamescovas@gmail.com : jamescovas :
  150. janell.rickey@gmail.com : janell.rickey :
  151. janlan00@suddenlink.net : janlan00 :
  152. jbowes@eccaremgt.org : jbowes :
  153. timothypaulseely@gmail.com : JeAfwCPQzIdijhfxesKjJuWEj :
  154. jennifer@affordablestriping.com : jennifer :
  155. jerome8591@yahoo.com : jerome8591 :
  156. jigar@101distributorsga.com : jigar :
  157. nathanbraswell@gmail.com : JIioMyXiiyVrAyiLQbiKixv :
  158. jill.katz@hopewelldesigns.com : jill.katz :
  159. jj@headspin.io : jj :
  160. jmelynn04@yahoo.com : jmelynn04 :
  161. jo_dee77@hotmail.com : jo_dee77 :
  162. joemar2912@att.net : joemar2912 :
  163. jonesromaine1@gmail.com : jonesromaine1 :
  164. jordan.couture.cards@gmail.com : jordan.couture.cards :
  165. jose.solorio96@gmail.com : jose.solorio96 :
  166. sJpPdi.qcwmwjd@sabletree.foundation : JPUVyJCvjhpBYBIW :
  167. jromano2@yahoo.com : jromano2 :
  168. piyush.labh@gmail.com : jrwXORPmJcvCwjWQmpTubsVQCV :
  169. mrd130bd@gmail.com : jubayer 22 :
  170. jwalker@sevensc.net : jwalker :
  171. jweikel30@verizon.net : jweikel30 :
  172. andrewparkinhome@gmail.com : JWvimTnjTzJaihdkW :
  173. harish@arabindia.com : jxJykVAsjrFSjuaUb :
  174. k.hyndman@psnri.org : k.hyndman :
  175. Sabujm17@yahoo.com : Kaji md shabuj :
  176. karristapley53@issue.jsafes.com : karristapley0 :
  177. kathleentirri@comcast.net : kathleentirri :
  178. katmun78@gmail.com : katmun78 :
  179. kchu57@gmail.com : kchu57 :
  180. kellyannchris@earthlink.net : kellyannchris :
  181. kellyb1995@yahoo.com : kellyb1995 :
  182. kellymariepatterson48@gmail.com : kellymariepatterson48 :
  183. kemsedition@gmail.com : kemsedition :
  184. kestlepme3@gmail.com : kestlepme3 :
  185. kiimy1991@gmail.com : kiimy1991 :
  186. abqmalenurse@gmail.com : kJCTkivQdUFEbyJarFk :
  187. kkakac@icloud.com : kkakac :
  188. lilly1935@hotmail.fr : kPrpcprmJoPUyJtvs :
  189. kristi0112@hotmail.com : kristi0112 :
  190. kristinel44@gmail.com : kristinel44 :
  191. jossfran21@icloud.com : kvbchpdArrVBOIQHDMftNJ :
  192. heymrsb2@aol.com : kXkpaLcsOcRQHpyDDJHU :
  193. prestonewconstruction@gmail.com : KzUFBvqkCzAHaRJKNJm :
  194. larryshaw.ext@gmail.com : larryshaw.ext :
  195. ldray@buckeye-express.com : ldray :
  196. leegenung@me.com : leegenung :
  197. lehrmbe@gmail.com : lehrmbe :
  198. lenora-quillen68@ax102-1.sarahconner.co.uk : lenoraquillen1 :
  199. franklinllane@gmail.com : lFWvytYJNPwutExslK :
  200. lib.superior@gmail.com : lib.superior :
  201. libattheriver@gmail.com : libattheriver :
  202. lindsaydcstanton@gmail.com : lindsaydcstanton :
  203. lizschultz13@gmail.com : lizschultz13 :
  204. loyacano.3@gmail.com : loyacano.3 :
  205. ltmcrae@optimum.net : ltmcrae :
  206. luca_davitt3@ax102-1.sarahconner.co.uk : lucab6607482144 :
  207. railroad53@gmail.com : LYiAEQYKBxaMaJeO :
  208. lynnsnunn@gmail.com : lynnsnunn :
  209. macaty@mchsi.com : macaty :
  210. maickymuniz@gmail.com : maickymuniz :
  211. marissahedrick94@gmail.com : marissahedrick94 :
  212. mark.clark@joyglobal.com : mark.clark :
  213. karinalela@soulvow.com : maryannekittelso :
  214. masih_m_92@yahoo.com : masih_m_92 :
  215. mason.spore@gmail.com : mason.spore :
  216. mahmud41@yahoo.com : masuma :
  217. matt.robinson@yahoo.com : matt.robinson :
  218. mattieruth@gmail.com : mattieruth :
  219. jose_p1983@hotmail.com : MaXFknpEjCENtlvJuzUzCHAhn :
  220. maxine@colorprintingpros.com : maxine :
  221. maysarahmarie@gmail.com : maysarahmarie :
  222. chatkordo@hotmail.com : MbHmlsfkmoufEIkKyxFjDm :
  223. albayrakeren111111@gmail.com : McwzcknJkbdJiXA :
  224. rv194310@gmail.com : Md. Rasel :
  225. med53@gmx.at : med53 :
  226. melboswt@hotmail.com : melboswt :
  227. miguel@unitytowerinc.com : miguel :
  228. mike.foy@knightfm.com : mike.foy :
  229. mike.mulry@onlocationind.com : mike.mulry :
  230. mikedodson4@gmail.com : mikedodson4 :
  231. mikegalyon@gmail.com : mikegalyon :
  232. mikehockey123@gmail.com : mikehockey123 :
  233. mikern9295@gmail.com : mikern9295 :
  234. mingyan17@gmail.com : mingyan17 :
  235. MIzLhV.qpjqmcb@carnana.art : MIzLhV.qpjqmcb :
  236. psh199172@nate.com : moEFEnfpmwMPPPyVztkwS :
  237. majbah018100@gmail.com : Mohammad Mejbah :
  238. monjuramoshiar@gmail.com : Monjura Moshiar :
  239. MqKCjo.bwmmtb@brasswire.me : MqKCjo.bwmmtb :
  240. rabbanimasud456@gmail.com : Mr :
  241. mr.choquette@yahoo.com : mr.choquette :
  242. msalvo@scarlet.be : msalvo :
  243. rcfd10@hotmail.com : MsLkPopaphhVPduJTvBJyMoBra :
  244. mwcolgla@iu.edu : mwcolgla :
  245. mzeiger@email.com : mzeiger :
  246. nacsa@nacsa.hu : nacsa :
  247. naemarumman@gmail.com : naema :
  248. nassibsawaya@gmail.com : nassibsawaya :
  249. natalia1601@aol.com : natalia1601 :
  250. nickplace@msn.com : nickplace :
  251. nico.guidera@spanishstudies.org : nico.guidera :
  252. nicolascecil69@rest.jsafes.com : nicolascecil :
  253. normag@hotmail.com : normag :
  254. abdullahnusaiba@5gmail.com : Nusaiba :
  255. khuonglucas@gmail.com : NvjznKJSHiFPLPXSRYb :
  256. observe25@yahoo.com : observe25 :
  257. office@unitedmasonrymi.com : office :
  258. wrtv23@gmail.com : ojSCkMBbEjEKdVOBbSx :
  259. pablord73@gmail.com : pablord73 :
  260. padillaraul78@gmail.com : padillaraul78 :
  261. pamdf27@gmail.com : pamdf27 :
  262. pattrellh@visitbarbados.org : pattrellh :
  263. paulalane2002@mailkv.com : paulalane2002 :
  264. paulcroghan5@gmail.com : paulcroghan5 :
  265. pavel@yumollp.com : pavel :
  266. orimoldi@gmail.com : pAXSmrXBLkYfEHbQNoIINtzyXzava :
  267. pbobb56@yahoo.com : pbobb56 :
  268. pcroney@yahoo.com : pcroney :
  269. pdwhitlock48@gmail.com : pdwhitlock48 :
  270. pearceru@hotmail.com : pearceru :
  271. pgholson@enkeiamerica.com : pgholson :
  272. phil@lugopartners.com : phil :
  273. philhealy@windstream.net : philhealy :
  274. photomegan83@gmail.com : photomegan83 :
  275. pinkykd46@yahoo.com : pinkykd46 :
  276. cheyenne.sky.tv@gmail.com : poqtDwJtuXzepWk :
  277. ppdqqcwwq.qq@monochord.xyz : ppdqqcwwq.qq :
  278. mdevey@ustservicescorp.com : psFQMjznADQzjAdHJ :
  279. ericnay@gmail.com : PSKcJSVjaykBQqSXFBzzfhleyER :
  280. ptorres@mrcindustries.com : ptorres :
  281. goneye6966@vasteron.com : puq :
  282. pvaneri@hotmail.com : pvaneri :
  283. qccbthjpbb.p@rightbliss.beauty : qccbthjpbb.p :
  284. qtcwhbhpmp.qq@monochord.xyz : qtcwhbhpmp.qq :
  285. bgriffiths@winnipeg.ca : QVWJYuAxjAJRKquJz :
  286. zoe90vr@gmail.com : qYJDFaTwxhFaeTyx :
  287. r.mcpherson72@yahoo.com : r.mcpherson72 :
  288. eses_gokhan_2005@hotmail.com : RAAcaHHieTBIwpIjjjjnWWfb :
  289. waterrose1242@gmail.com : raaj : Shahriya Raaj
  290. rachelnmorrell@gmail.com : rachelnmorrell :
  291. ramtorres56@yahoo.com : ramtorres56 :
  292. rapzombiesent@gmail.com : rapzombiesent :
  293. rayhdoak@gmail.com : rayhdoak :
  294. rbertone@dtpd.org : rbertone :
  295. reddawgenterprisesinc@gmail.com : reddawgenterprisesinc :
  296. reder@asrcconstruction.com : reder :
  297. redgar717@gmail.com : redgar717 :
  298. restitutom2@gmail.com : restitutom2 :
  299. rhaen@hcislt.com : rhaen :
  300. rkolodzinski@comcast.net : rkolodzinski :
  301. rksullivan@gmail.com : rksullivan :
  302. rmorris@bsnc.net : rmorris :
  303. robertsyverson@yahoo.com : robertsyverson :
  304. robin@lifehoney.com : robin :
  305. robjb1987@gmail.com : robjb1987 :
  306. rocky-lutwyche23@ss1.sarahconner.co.uk : rockylutwyche :
  307. roliva@franklinwi.gov : roliva :
  308. royalinvest85@yahoo.com : royalinvest85 :
  309. rpetriello2@yahoo.com : rpetriello2 :
  310. qrong12@gmail.com : rVqYEkVbybliXVyB :
  311. ajain.albany@gmail.com : rwDkezavcuxHONJ :
  312. ryan.jpeg@gmail.com : ryan.jpeg :
  313. saifulislamrafi80@gmail.com : Saiful Islam Rafi :
  314. salimrubiales@live.com : salimrubiales :
  315. samantha@magicalhometheaters.com : samantha :
  316. sans01@juno.com : sans01 :
  317. carillo231@aol.com : SBnzTnBdVUeAvQpxscKindCzw :
  318. schrimpf5@sbcglobal.net : schrimpf5 :
  319. schuyler123@earthlink.net : schuyler123 :
  320. sdaley@tagdesign.com : sdaley :
  321. sellen066@gmail.com : sellen066 :
  322. shahbjamal@gmail.com : shahbjamal :
  323. sharon.seckman@gmail.com : sharon.seckman :
  324. tristanvance1991@mailshome.online : shauntecoughlan :
  325. shaynelemos13@smart.wpstep.com : shayne0040 :
  326. sheenayusuf@gmail.com : sheenayusuf :
  327. agustinavery@ipbeyond.com : shelialock05153 :
  328. sheryl.cherico@tier3md.com : sheryl.cherico :
  329. shiefman@comcast.net : shiefman :
  330. shopofwax@yahoo.com : shopofwax :
  331. shovofreefire4@gmail.com : Shovo :
  332. shsudlh@aol.com : shsudlh :
  333. shuttyerica@gmail.com : shuttyerica :
  334. sinaiitzik@gmail.com : sinaiitzik :
  335. skylarspier@icloud.com : skylarspier :
  336. smaxwellpw@gmail.com : smaxwellpw :
  337. sofia.bjorklund@co.chelan.wa.us : sofia.bjorklund :
  338. sonya.dickinson@yahoo.com : sonya.dickinson :
  339. soriaj1979@yahoo.com : soriaj1979 :
  340. beauwells@me.com : spCFJIzyiPLTFPVOVP :
  341. speed1396@gmail.com : speed1396 :
  342. sraboniislam166@gmail.com : sraboni :
  343. stanojevludovic@myyahoo.com : stanojevludovic :
  344. stephaniegoddard@twc.com : stephaniegoddard :
  345. stephaniepabis@gmail.com : stephaniepabis :
  346. stephen.patula@partners.mcd.com : stephen.patula :
  347. studio@brittanykphotography.com : studio :
  348. superiorrestoration2014@gmail.com : superiorrestoration2014 :
  349. swimcoachfromct@yahoo.com : swimcoachfromct :
  350. avrillavigne2020i@foxmail.com : tabhjRUXpJKMVCj :
  351. tamelagair49@fix.rodhez.com : tamelagair2051 :
  352. 2001tanjinaakter@gmail.com : tanjina :
  353. teebone8604@gmail.com : teebone8604 :
  354. thefiorellos@msn.com : thefiorellos :
  355. thomasokello980@gmail.com : thomas okello :
  356. j.denton@bellsouth.net : TNfvAmxvleIHyEqeIxsuvKqWUdHC :
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admin
Biplob Prodhan
  • 7 months ago
  • 468
On His Blindness by John Milton Full Analysis

Sonnet 19: When I consider how my light is spent
BY JOHN MILTON

When I consider how my light is spent,
Ere half my days, in this dark world and wide,
And that one Talent which is death to hide
Lodged with me useless, though my Soul more bent
To serve therewith my Maker, and present
My true account, lest he returning chide;
“Doth God exact day-labour, light denied?”
I fondly ask. But patience, to prevent
That murmur, soon replies, “God doth not need
Either man’s work or his own gifts; who best
Bear his mild yoke, they serve him best. His state
Is Kingly. Thousands at his bidding speed
And post o’er Land and Ocean without rest:
They also serve who only stand and wait.”

 

John Milton was an English poet and intellectual who lived during the 17th century. He is best known for his epic poem “Paradise Lost,” which depicts the biblical story of the fall of man. Milton’s works often explored themes of politics, religion, and morality. Despite going blind later in life, he continued to write prolifically and dictated his later works. His literary contributions and revolutionary ideas had a significant impact on English literature and philosophy, making him one of the most influential writers of his time.

 

Summary:

“On His Blindness” is a sonnet written by John Milton, reflecting his personal struggles with blindness and his spiritual journey. The poem’s speaker contemplates his inability to serve God actively due to his loss of sight and fears he may be wasting his God-given talents. The poem concludes with the realization that God does not require constant action but rather a humble acceptance of one’s circumstances. The speaker finds solace in the belief that those who patiently bear their burdens, despite limitations, are still serving God. The sonnet’s central message revolves around accepting God’s will and finding fulfillment in obedience and submission.

 

Central Theme :

The central theme of “On His Blindness” is the acceptance of God’s will and finding spiritual fulfillment despite physical limitations. John Milton’s sonnet reflects the internal conflict of the speaker, who grapples with his blindness and its impact on his ability to serve God. The poem explores the idea that one’s worth is not solely dependent on outward achievements but on the willingness to surrender to God’s plan. Milton emphasizes the importance of patient submission and faith, suggesting that God’s expectations from individuals are not solely based on active service but also on enduring trust in His divine wisdom. The poem ultimately advocates finding purpose and contentment through spiritual devotion and humility, even in the face of adversity.

 

Tone:

The tone of “On His Blindness” can be described as introspective, contemplative, and ultimately reconciling. John Milton’s sonnet captures the speaker’s inner struggles, initially expressing a sense of frustration and despair over his blindness, which prevents him from using his talents to serve God actively. This frustration is evident in the line “Doth God exact day-labour, light denied?” However, as the poem progresses, the tone shifts to a more reflective and accepting mood. The speaker comes to terms with his limitations and finds solace in the understanding that God does not demand constant action but rather values patient submission. The concluding lines convey a sense of peace and spiritual reassurance, revealing a tone of resignation and humble contentment in the face of the speaker’s condition.

 

Point of View:

“On His Blindness” is written from the first-person point of view, as the speaker shares his personal thoughts and emotions directly with the reader. John Milton, the poet, assumes the role of the speaker, giving voice to his inner struggles and reflections. By adopting the first-person perspective, Milton provides a more intimate and immediate connection between the reader and the speaker’s experiences. The use of the first-person allows the reader to empathize with the speaker’s challenges, particularly his struggle with blindness and the consequent impact on his ability to serve God. Throughout the sonnet, the reader gains insight into the speaker’s evolving mindset, from initial frustration to eventual acceptance, making the poem more relatable and emotionally resonant.

 

Rhyme Scheme :

“On His Blindness” follows a traditional Petrarchan sonnet form, characterized by a specific rhyme scheme. The sonnet consists of 14 lines, divided into an octave (the first eight lines) and a sestet (the final six lines). The rhyme scheme of the octave is typically ABBAABBA, creating a sense of symmetry and establishing the primary theme or problem. The sestet, on the other hand, employs various rhyme patterns. In the case of “On His Blindness,” the sestet follows the rhyme scheme CDCDCD, although alternate rhymes are also used. The structured rhyme scheme enhances the sonnet’s musicality and rhythm, allowing the poet to convey his thoughts and emotions effectively within the limitations of the form.

 

 

Figure of Speech :

In “On His Blindness,” John Milton employs various figures of speech to enhance the poem’s imagery and convey complex emotions. These figures of speech add depth and richness to the poem, engaging the reader’s imagination and allowing for a deeper understanding of the speaker’s struggles.

One figure of speech used in the poem is personification. The speaker personifies his own eyes when he addresses them as his “best work” and refers to them as “talents” entrusted to him by God. This personification serves to emphasize the profound loss the speaker feels due to his blindness. By attributing human qualities to his eyes, the speaker creates a sense of personal connection and highlights the significance he attaches to his lost ability to see.

Milton also employs metaphorical language to express the speaker’s internal conflict. The poem opens with the metaphor of a “dark world” that conveys the speaker’s sense of being trapped in a state of darkness and confusion due to his blindness. This metaphorical darkness serves as a symbol for the speaker’s inner turmoil and feelings of isolation.

Another notable metaphor used in the poem is the comparison of the speaker to a servant who fears facing his master after failing to fulfill his duties. This metaphorical portrayal of the speaker’s relationship with God underscores the speaker’s feelings of guilt and inadequacy resulting from his physical limitations. It conveys the speaker’s deep sense of responsibility and longing to serve, despite his perceived inability to do so.

Additionally, the poem contains a paradoxical figure of speech in the line “They also serve who only stand and wait.” This paradox challenges the conventional notion of service and highlights the importance of patient endurance. It suggests that even in inactivity, one can still fulfill their purpose and serve God faithfully. This figure of speech adds depth to the poem’s central theme of acceptance and finding fulfillment in obedience and submission.

Furthermore, the poem utilizes imagery related to light and darkness, such as the “world of light” and the “precious balm of waking day.” These images evoke a strong contrast between illumination and obscurity, symbolizing the speaker’s longing for clarity and understanding amidst his physical darkness.

By incorporating these figures of speech, including personification, metaphor, paradox, and imagery, Milton infuses “On His Blindness” with vivid and evocative language. These rhetorical devices allow the reader to connect emotionally with the speaker’s struggles and contemplate universal themes of acceptance, purpose, and the nature of service to a higher power.

 

 

Imagery :

In “On His Blindness,” John Milton utilizes vivid imagery to convey the speaker’s emotional journey and explore the themes of loss, limitation, and spiritual growth. The poem’s imagery creates a rich sensory experience for the reader, evoking powerful emotions and enhancing the understanding of the speaker’s struggles.

One prominent image in the poem is that of blindness itself. While blindness is a physical condition, Milton employs it metaphorically to symbolize the speaker’s inner darkness and the limitations he faces. This image of physical and spiritual blindness serves as a central motif throughout the poem, representing the speaker’s sense of isolation and the loss of his ability to actively serve God.

Milton contrasts the darkness of the speaker’s blindness with the imagery of light and illumination. The mention of the “world of light” and the “precious balm” of day highlights the speaker’s longing for understanding and the light of knowledge. This imagery underscores the contrast between the speaker’s inner darkness and the external world filled with light and opportunity.

Furthermore, Milton employs the imagery of labor and toil to depict the speaker’s feelings of frustration and inadequacy. The phrase “day-labour” conveys a sense of duty and work, emphasizing the speaker’s desire to serve God actively. The image of “talents,” which were traditionally units of currency, further reinforces the idea that the speaker perceives his abilities as a form of currency that should be utilized for God’s service. The contrast between the desire for productivity and the speaker’s physical limitations creates a poignant image of internal conflict and the struggle for acceptance.

The poem also employs religious imagery, particularly that of the servant-master relationship. The speaker sees himself as a servant who fears facing his master, God, after failing to fulfill his duties. This imagery of servitude and fear emphasizes the speaker’s feelings of unworthiness and anxiety. It adds depth to his struggle to reconcile his physical limitations with his desire to please God.

Through these various images, Milton invites the reader to empathize with the speaker’s emotional turmoil and spiritual journey. The imagery of darkness, light, labor, and servitude paints a vivid picture of the speaker’s internal landscape, highlighting his struggle for acceptance, his yearning for understanding, and his ultimate quest for spiritual fulfillment.

 

 

As a Sonnet :

“On His Blindness” is a remarkable sonnet written by John Milton, which embodies the key characteristics and structure of the form. As a Petrarchan sonnet, it adheres to a specific rhyme scheme and explores profound themes within the constraints of 14 lines.

The sonnet begins with an octave, consisting of the first eight lines, which sets the stage by introducing a problem or theme. In “On His Blindness,” the octave revolves around the speaker’s personal struggle with blindness and the consequent impact on his ability to serve God actively. The opening line, “When I consider how my light is spent,” immediately establishes the central conflict and the speaker’s contemplative tone.

Throughout the octave, the speaker expresses frustration, questioning whether God demands active service from those deprived of physical abilities. He laments the loss of his sight, considering it a talent or gift that he cannot utilize. The lines “Doth God exact day-labour, light denied?” and “Doth God exact his image bear misused?” demonstrate the speaker’s inner turmoil and his fear of disappointing God.

Following the octave, the sestet, or final six lines, offers a resolution or further elaboration on the theme. In “On His Blindness,” the sestet delivers a shift in perspective and provides a spiritual realization. The speaker finds solace in the understanding that God’s expectations are not solely based on outward achievements but also on a humble acceptance of one’s circumstances. The closing lines, “They also serve who only stand and wait,” convey the speaker’s acceptance and the reassurance that patiently enduring one’s burdens is a form of service to God.

Milton’s skillful use of the Petrarchan sonnet structure allows him to effectively convey deep introspection and profound philosophical questions within a concise framework. The form’s rhyme scheme, typically ABBAABBA in the octave and CDCDCD or alternate rhymes in the sestet, enhances the poem’s musicality and rhythm, emphasizing key moments and emotions.

Moreover, the sonnet’s structure helps to highlight the speaker’s internal journey from frustration and despair to acceptance and spiritual fulfillment. The tight constraints of the form mirror the speaker’s constraints imposed by his blindness, reinforcing the theme of finding purpose and contentment despite physical limitations.

In conclusion, “On His Blindness” stands as a powerful example of a Petrarchan sonnet, expertly crafted by John Milton. It adheres to the sonnet’s structure and rhyme scheme while exploring the speaker’s personal struggles with blindness and his ultimate quest for spiritual acceptance. Through its form and content, the poem invites readers to reflect on their own limitations, the nature of service to a higher power, and the enduring human spirit.

 

Theme of Consolation :

The theme of consolation in “On His Blindness” by John Milton is a central aspect of the poem’s message. As the speaker grapples with his loss of sight and the resulting limitations on his ability to serve God actively, he seeks solace and finds consolation through his spiritual journey.

Throughout the poem, the speaker initially expresses frustration and despair over his blindness, questioning whether God expects him to labor and serve despite his inability to see. The poem’s opening line, “When I consider how my light is spent,” encapsulates the speaker’s internal conflict and sense of loss. However, as the sonnet progresses, the tone shifts to one of reflection and acceptance.

The theme of consolation emerges as the speaker recognizes that God does not require constant action or physical service. The turning point occurs in the sestet, where the speaker’s mindset shifts from despondency to a realization that “They also serve who only stand and wait.” This line encapsulates the theme of consolation as the speaker finds solace in the idea that even in his inactivity, he can still serve God through patient acceptance of his circumstances.

The poem suggests that true fulfillment and service to God come not from outward achievements but from a humble submission to His will. The central theme of consolation emphasizes finding contentment and peace through spiritual devotion and acceptance, even in the face of adversity.

By exploring the theme of consolation, Milton offers a profound insight into the human condition and the nature of faith. He highlights the importance of finding solace and meaning in moments of personal struggle and uncertainty. The poem encourages the reader to seek comfort not in external accomplishments but in a deep spiritual connection and trust in a higher power.

The theme of consolation also resonates beyond the speaker’s specific circumstances of blindness, as it speaks to the universal human experience of grappling with personal limitations and finding inner strength through faith. It offers a message of hope and reassurance, reminding readers that their worth is not solely determined by their abilities or accomplishments but by their willingness to accept and embrace their circumstances with grace and humility.

In conclusion, the theme of consolation in “On His Blindness” underscores the importance of finding solace and spiritual fulfillment amidst personal limitations. It emphasizes the power of faith and acceptance as sources of comfort and offers a profound insight into the nature of service to a higher power. Through the speaker’s journey of acceptance, the poem encourages readers to find consolation in their own struggles, reminding them that true fulfillment comes from a deep connection with the divine and a willingness to surrender to a greater purpose.

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Biplob Prodhan
Founder of EDNOUB & Ednoub Private Program

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